A multi-stranded historical epic set in China in 1937, when Wuhan stood alone against a whirlwind of war and violence. 'Fletcher impresses in this searing debut... Fletcher makes all his characters realistic, even if they only appear briefly, and excels at portraying the horrors of war and the moral challenges it poses. Fans of J.G. Ballard's Empire of the Sun will be riveted' Publishers Weekly, Starred Review 1937. CHINA IS AT WAR. Soldiers of the Empire of Japan sweep through the country, killing and displacing the millions who stand in their way. As vast swathes of the country fall to the invaders, Wuhan, an industrial city in the centre of China, is appointed wartime capital. While the rest of the world looks the other way, the citizens of Wuhan stand alone against a whirlwind of violence - transforming militarily, educationally, medically and culturally. Their heroic efforts halted the Japanese. Weaving together a multitude of narratives, Wuhan is a historical fiction epic that pulls no punches: the heart-in-mouth tale of a peasant family forced onto a thousand-mile refugee death-march; the story of Lao She - China's greatest writer - leaving his family in a war zone to assist with the propaganda effort in Wuhan; the hellish battlefields of the Sino-Japanese war; the approaching global conflict seen through a host of colourful characters - from Chiang Kai-Shek, China's nationalist leader, to Peter Fleming, a British journalist based in Wuhan and the prototype for his younger brother Ian Fleming's James Bond.

The authoritative edition of The Two Noble Kinsmen from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers. Written by Shakespeare and John Fletcher, this play tells the familiar story of a love triangle. Here, though, it seems distant and strange. Initially, the Theban knights Arcite and Palamon are devoted kinsmen, both serving their king, Creaon, who is defeated by Theseus, Duke of Athens. After they are imprisoned in Athens, they see Emilia, sister of the Duchess of Athens, through a window. They become rivals for her love, eager to fight each other to the death, even though she does not know they exist. After Arcite is released and banished, and Palamon escapes, they begin their would-be fight to the death with chivalric ceremony. Theseus, happening on them, decrees that they must compete for her in a tournament, after which the loser will be executed. Emilia is no willing bride; as a girl, she loved Flavina, who has died. Still, she tries to avert the tournament by choosing between Arcite and Palamon, only to find she cannot. The jailer's daughter, a character added by the playwrights, is infatuated with Palamon and helps him escape. But the social gulf between her and Palamon is unimaginably wide. Only the gods can bring the play to resolution. This edition includes: -Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play's famous lines and phrases -An introduction to reading Shakespeare's language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library's vast holdings of rare books -An annotated guide to further reading Essay by Dieter Mehl The Folger Shakespeare Library in Washington, DC, is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

Wuhan, 1937. China is at war, invaded by the Japanese Army, who sweep through the country killing indiscriminately. As the capital city falls, Wuhan takes its place and will become pivotal in China's future. 1937. China is at war. Japanese soldiers sweep through the country, killing and displacing the millions who stand in their way. Nanjing has fallen, and Wuhan promoted in its place. While the rest of the world looks the other way, Wuhan stands alone against a whirlwind of violence which forced unprecedented cultural and political change. This will be a moment that shapes China's future. Weaving together a multitude of narratives, Wuhan is a historical fiction epic that pulls no punches: the heart-in-mouth story of a peasant family forced onto a thousand-mile refugee death-march; the story of Lao She - the influential Chinese novelist - who leaves his family in a war-zone to assist with the propaganda effort in Wuhan; the hellish battlefields of the Sino-Japanese war; the incipient global conflict seen through a host of colourful characters - from Chiang Kai-Shek, China's nationalist leader, to Peter Fleming, British journalist based in Wuhan and a prototype for his younger brother Ian Fleming's James Bond.

In the fifth century, the Roman Empire collapsed and Western Europe began remaking itself in the turmoil that followed. In south-west Britain, old tribal authorities and identities reasserted themselves and a ruling elite led a vibrant and outward-looking kingdom with trade networks that stretched around the Atlantic coast of Europe and abroad into the Mediterranean. They and their descendants would forge their new kingdom into an identity and a culture that lasts into the modern age. The Western Kingdom is the story of Cornwall, and of how its unique language, culture and heritage survived even after politically merging with England in the tenth century. It’s a tale of warfare, trade and survival – and defiance in the face of defeat.

This book, first published in 1985, stresses Beckett's success as an innovator in the theatre through a close reading and analysis of his plays. The differing backgrounds of the two authors enables them to approach Beckett's drama in a particularly fruitful way: 'Their analysis is clever yet level-headed, readable but does not shirk complexities.' (Times Educational Supplement). 'Brilliant collection of essays on Beckett and his works.' (Irish Times)

Thanks to its engaging writing style and accessible structure, Fletcher has become the ultimate one-stop text for any student studying Tourism. Its broad appeal and popularity increases with each new edition, making it excellent value for any student who wants to understand and explore the principles of the subject. Well-liked by students and lecturers alike, Tourism: Principles and Practice is the ultimate reference text for anyone wishing to understand the complex and varied issues involved with such a diverse and constantly changing subject.

This volume begins with a new essay by Julia Kristeva, 'The Adolescent Novel', in which she examines the relation between novelistic writing and the experience of adolescence as an 'open structure'. It is this blend of the literary with the psychoanalytic that places Kristeva's work central to current thinking, from semiotics and critical theory to feminism and psychoanalysis. The essays in this volume offer insight into the workings of Kristeva's thought, ranging from her analyses of sexual difference, female temporality and the perceptions of the body to the mental states of abjection and melancholia, and their representation in painting and literature. Kristeva's persistent humanity, her profound understanding of the dynamics of intention and creativity, mark her out as one of the leading theoreticians of desire. Each essay offers the reader a new insight into the many aspects that make up Kristeva's entire oeuvre.

Alain Robbe-Grillet had traditionally been seen as an austere experimentalist in fiction, addicted to arid and interminable descriptions of objects like coffee pots, erasers and pieces of string. His own rather bellicose theoretical pronouncements were partly to blame for this unattractive picture, belied by the immense popular success of the film Last Year at Marienbad (1961) (made by Alain Resnais from Robbe-Grillet's script) and the high critical esteem in which novels like Jealousy and The Voyeur are held. In his original study, first published in 1983, John Fletcher attempts to resolve this paradox by offering a new interpretation of Robbe-Grillet's work which stresses the subversive qualities of his imagination and the disturbing power of his vision of a world of labyrinths and bizarre sexual stereotypes, haunted by images of love and loss.

This book, first published in 1985, stresses Beckett's success as an innovator in the theatre through a close reading and analysis of his plays. The differing backgrounds of the two authors enables them to approach Beckett's drama in a particularly fruitful way: 'Their analysis is clever yet level-headed, readable but does not shirk complexities.' (Times Educational Supplement). 'Brilliant collection of essays on Beckett and his works.' (Irish Times)

This is the fifth volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. Each play is introduced by a discussion of the text, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations.

Published in 1987: This thesis presents an edition of the author's play, Monsieur Thomas, with a substantial introduction in several sections and a sizeable apparatus.

This volume begins with a new essay by Julia Kristeva, 'The Adolescent Novel', in which she examines the relation between novelistic writing and the experience of adolescence as an 'open structure'. It is this blend of the literary with the psychoanalytic that places Kristeva's work central to current thinking, from semiotics and critical theory to feminism and psychoanalysis. The essays in this volume offer insight into the workings of Kristeva's thought, ranging from her analyses of sexual difference, female temporality and the perceptions of the body to the mental states of abjection and melancholia, and their representation in painting and literature. Kristeva's persistent humanity, her profound understanding of the dynamics of intention and creativity, mark her out as one of the leading theoreticians of desire. Each essay offers the reader a new insight into the many aspects that make up Kristeva's entire oeuvre.

Alain Robbe-Grillet had traditionally been seen as an austere experimentalist in fiction, addicted to arid and interminable descriptions of objects like coffee pots, erasers and pieces of string. His own rather bellicose theoretical pronouncements were partly to blame for this unattractive picture, belied by the immense popular success of the film Last Year at Marienbad (1961) (made by Alain Resnais from Robbe-Grillet's script) and the high critical esteem in which novels like Jealousy and The Voyeur are held. In his original study, first published in 1983, John Fletcher attempts to resolve this paradox by offering a new interpretation of Robbe-Grillet's work which stresses the subversive qualities of his imagination and the disturbing power of his vision of a world of labyrinths and bizarre sexual stereotypes, haunted by images of love and loss.

Published in 1987: This thesis presents an edition of the author's play, Monsieur Thomas, with a substantial introduction in several sections and a sizeable apparatus.

'Essays on Otherness offers the most original, philosophical sophisticated, and far-reaching critical reading of Freud's metapsychology since Lacan. Exegetically scrupulous and rigorously argued, these essays go straight to the heart of the psychoanalytical enterprise.' - Peter Osborne, Professor of Modern European Philosophy, Middlesex University

'[Laplanche's] philosophical and psychoanalytical studies are now becoming increasingly drawn upon by cultural theorists and critics, and this work is helped enormously by the publication of Essays on Otherness and the comprehensive and illuminating introduction by John Fletcher.' - New Formations

'[Laplanche's] philosophical and psychoanalytical studies are now becoming increasingly drawn upon by cultural theorists and critics, and this work is helped enormously by the publication of Essays on Otherness and the comprehensive and illuminating introduction by John Fletcher.' - New Formations

Originally published in 1915, this book presents the text of The Elder Brother, a comedy by the Jacobean playwright John Fletcher. An introduction and illustrative figures are also included. This book will be of value to anyone with an interest in the works of Fletcher and Jacobean drama.

This is the eighth volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. This volume contains the texts of five plays and one composite Fours Plays in One, written by Fletcher and his collaborators, Nathan Field and Philip Massinger. Each play is introduced by a discussion of the text, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations.

This is the third volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. Each play is introduced by a discussion of the text, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations.

This is the first volume in a ten-volume series of the complete dramatic works of Beaumont and Fletcher, published under the general editorship of Fredson Bowers. Each volume contains several plays accompanied by a textual introduction and critical apparatus. The plays of Beaumont alone are published first, followed by those by Beaumont and Fletcher together, Beaumont and Fletcher revised by Massinger, Fletcher alone and finally Fletcher with his numerous collaborators.

This is the tenth and final volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. This volume contains the texts of six plays written by Fletcher and his collaborators, Nathan Field, Philip Massinger, Ben Jonson, George Chapman, John Ford and John Webster. Each play is introduced by a discussion of the text and authorship, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations. At the back of this concluding volume there is a useful index showing how the plays are distributed between the volumes, and a table giving the authorship of the plays.

This is the second volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. Each play is preceded by detailed notes on the text of the play, and is followed by textual notes, lists of variants, emendations of accidentals, and an historical collation. A general note of the principles on which the text of this edition was established is contained in Volume I.

This is the fourth volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. Each play is introduced by a discussion of the text, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations.